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Water Lilies reproduction: which one you are actually ordering

Monet painted around 250 Water Lilies. Naming the museum and the year is the difference between the picture you want and whatever the studio has on file.

Oil Painting ReproductionsUpdated

Claude Monet's Water Lilies of 1906: pale lily pads floating on green and violet water with no horizon or bank in sight.
Claude Monet, Water Lilies, 1906. Oil on canvas, 89.9 × 94.1 cm. Art Institute of Chicago, Mr. and Mrs. Martin A. Ryerson Collection. Wikimedia Commons, public domain

The short answer

There is no single Water Lilies. The Art Institute of Chicago puts the series at around 250 paintings, made from the late 1890s to Monet's death in 1926, from 90 cm square to two-metre panels. Order by museum and year.

The painting in numbers

Three of the versions studios actually paint, and how they differ.
VersionSize and museumWhat it looks likeBest reproduction size
Water Lilies, 190689.9 × 94.1 cm, Art Institute of ChicagoAlmost square, no bank, pads in three loose diagonals24 × 24 in or 30 × 30 in (the original is 1.05:1)
Water Lily Pond, 190089.8 × 101 cm, Art Institute of ChicagoThe Japanese footbridge across the top third30 × 24 in; the bridge needs the landscape format
Water Lily Pond, 1917–19130.2 × 201.9 cm, Art Institute of ChicagoWide, near-abstract, willow reflections48 × 36 in or larger; below that it becomes a smudge
The Orangerie panels, 1914–26About 2 m high, eight compositions in two oval rooms, Musee de l'OrangerieMural scale, painted to wrap the viewerNot reproducible as a single canvas at any stock size

Dimensions from the Art Institute of Chicago collection records, checked 2026-09-05. Monet died in 1926; all versions are public domain.

Why it is hard to reproduce

There is nothing to draw. Take the lily pads out and what remains is a field of violet, green and pink strokes with no horizon, no bank and no object at a known size. A copyist working from a photograph has no landmarks to check proportion against, which is why so many copies drift: the pads end up evenly spaced, the water ends up one colour, and the picture turns into wallpaper.

Detail of Monet's Water Lilies showing violet, green and pink strokes crossing each other with no outlines.
Detail of the water. Note that the reflections are painted across the pads, not around them, and that no stroke has an edge. Wikimedia Commons, public domain
  • The surface is built in campaigns. Monet worked the same canvas over months, letting layers dry and painting into them again. A studio copying in one or two sessions gets a single stratum of paint where the original has four, and the colour goes dead.
  • The violets are structural. The complements that make the green read as water are laid next to each other, not mixed. Any copyist who blends them for speed produces grey.
  • No contours. Every edge in the picture is a change of colour, not a line. Outlining the pads, which is the fastest way to make the shapes read, is also the fastest way to make the copy look like a poster.
  • Square-ish format. The 1906 canvas is 1.05:1. On a standard 1.25:1 rectangle the composition has to be stretched or cropped, and the pads lose their diagonal.

What cheap copies get wrong

The commonest fault is inventing a bank. Cheap versions add a strip of green at the top so the picture reads as a landscape, because a pond without a shoreline is uncomfortable to paint. Monet removed exactly that strip on purpose, over twenty years of work.

  1. A horizon, a bank or a bit of grass added at the top edge.
  2. Lily pads drawn as clean ellipses with white flowers on top, where the original has many pads that are two strokes and no flower at all.
  3. Water painted as a single blue-green wash with reflections added afterwards.
  4. A composite: pads from one version, willow reflections from another, bridge from a third. This is why naming the museum and year matters.
  5. Saturation pushed up so the picture matches a screen rather than a canvas.

Sizes and where it hangs well

Scale diagram comparing the 94 by 90 cm 1906 Water Lilies with 24 by 24 inch and 36 by 36 inch reproductions above a 200 cm sofa.
The 1906 canvas next to two square reproduction sizes, drawn to scale against a three-seat sofa. Oil Painting Reproductions

This is the one popular subject that improves with distance, because the strokes only resolve into water when you cannot see them individually. In a room where the sofa is two metres from the wall, 30 × 30 in is the smallest size that works; under three metres, 24 × 24 in is fine. Hang it where the light is indirect: a raking window turns the ridges of paint into stripes and flattens the pond.

Price range

Square sizes for the 1906 composition, unframed, USD.
SizeArt & See list priceViewing distance it suitsNote
16 × 16 in (41 × 41 cm)$249.95Under 1.5 mReads as pattern rather than water.
20 × 20 in (51 × 51 cm)$309.951.5–2 mWorkable in a hallway.
24 × 24 in (61 × 61 cm)$380.952–2.5 mTwo thirds of the original's height.
30 × 30 in (76 × 76 cm)$479.952.5–3.5 mClosest common size to the museum canvas.
36 × 36 in (91 × 91 cm)$549.95Over 3 mSlightly larger than the original in both directions.

Art & See prices from its published unframed square ladder, verified 2026-09-05. Across eight stores surveyed on the same date, comparable hand-painted oil canvases ran roughly $150 to $1,100; Reproduction Gallery lists more Monet compositions than any other store in that group.

If you want a single canvas rather than a hunt, Art & See lists Water Lilies at the square ladder above, and a second Nympheas composition separately. If you want an exact version by year, a store with a deeper Monet catalogue is the better starting point, even at a higher price.

Where to buy

Three routes, depending on how specific your version is.

Sells Water Lilies on its five-rung square ladder, $249.95 to $549.95, alongside a Monet collection page, and photographs the finished canvas for approval before it ships. Square is the whole ladder here: the larger 60 × 40 in and 72 × 48 in rungs exist only for rectangular works.

Art & See
  • Reproduction GalleryLists individual Monet compositions by year, including Water Lilies c.1917 and Bridge over a Pond of Water Lilies 1899, which matters more than price if you want one specific version.
  • Art Institute of Chicago image downloadPublishes the 1906 canvas as a public-domain file you can have printed locally, which is the cheapest honest way to get the colour right.

Frequently asked questions

How many Water Lilies paintings are there?

The Art Institute of Chicago says the series numbers around 250 paintings, made from the late 1890s until Monet's death in 1926, plus the eight large compositions installed in two oval rooms at the Musee de l'Orangerie in Paris. That is why 'Water Lilies' on its own is not an order.

Which version should I choose for a living room?

The near-square 1906 canvas in Chicago if you want water with no bank and no bridge; the 1900 Water Lily Pond if you want the Japanese footbridge. The 1917–19 canvas is the most abstract and needs 48 in or more to work.

Why does my copy look flat compared with the museum photograph?

Usually because it was painted in one layer. The originals were built over months in several campaigns, and the depth comes from earlier layers showing through. Ask how many sittings the studio plans; two is normal, one is a warning.

Sources

  1. Water Lilies, 1906, collection recordArt Institute of Chicago. Accessed September 5, 2026.
  2. Artworks API: Monet dimensions and public-domain statusArt Institute of Chicago. Accessed September 5, 2026.
  3. Popular oil paintings, Monet listings by yearReproduction Gallery. Accessed September 5, 2026.
  4. Water Lily Pond (Symphony in Green), reproduction listingTOPofART. Accessed September 5, 2026.
  5. How long does copyright protection last?United States Copyright Office. Accessed September 5, 2026.
  6. File:Claude Monet - Water Lilies - 1906, Ryerson.jpgWikimedia Commons. Accessed September 5, 2026.

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